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Language and Culture

Language of Satkhira (dialect)

 

The modern form of Bengali language from Gauri Prakrit (Dr. Muhammad Shahidullah), according to the Magadhi Prakrit (Dr. Sunit Kumar Chatterjee), originating from the Indo-European language of Satkhira. According to the sub-continent language scientists, the entire Bengali-speaking region is divided into five subdivisions. Among the Panchavibhana of greater Jessore and Khulna districts, the Bengali dialect region is included. But in reality the composition of the new language is compounded by the combination of Bengali and Rarhi sub languages ​​of twenty-four Parganas (undivided) districts of greater Jessore, Khulna and West Bengal of India. In addition to the Kaliakata Radhi dialect of India, the spoken language was included in the same style and due to the condition of Satkhira District adjacent to the district of Kolkata, these mixed characteristics have been named as "Sundarbani dialect".

(Satkhira as a dialect and individual; Qazi Muhammad Oliullah: 122, 2009).

 

Common and mixed features of Radhi and Bangali genres in the dialect of Satkhira

 

It has been mentioned earlier that while the subdivision of Satkhira is basically included in the Bengal dialect, the unbiased Bangali traits in positioning are not fully preserved in the words of Satkhira. Moreover, due to various reasons, the same pattern is not fully maintained throughout the broader regions of the dialectical language. With regard to regional characteristics, the radical influence of Jessore district is relatively high, Khulna district is relatively less and lesser on Faridpur and greater Khulna district, but due to standing, the effect of Radhi dialect on Satkhira district is more than Jessore, especially in the southwest. There are some important features of how much and how much the presence of Bangali and Radhi in Satkhira's dialect are mentioned-

 

Phonetic traits:

1. The main feature of the Bangali dialect is the unreliable accent in the verb. In Satkhira Rup languages, there is only the right of the Apiinithi e and the yug (inverse), but not in the condition. There was a partial change in the sound of E or U And this change is influenced by Radhi-

For example, Radhei's customary style - running, running, and running.

Vangali style - there is in the jaw / joilata, choylai, chulteete.

The dialect of Satkhira: Choilteche, Choilech / Choi leche Choi Lolo.

It is noteworthy that the sound of Radhi's eighth e shout here is half-dead.

2. In Bangali dialect, it is used as a full-fledged apniihti. For example, Jaukgia, Mura, Kaula, etc.

Radhi or the standard walks - jaggad, kaylo, etc.

In the dialect of Satkhira, it has been abolished in the middle of the medieval period, but half of it (in future) is used as compensation. For example, Jai Gage / Mei Do, Koi Lo etc.

 

3. The aforementioned sound of A / A in Bangali belt is an important pronunciation of the sound. It is not used everywhere by the dialect of Satkhira. This type of sound is not used in non-deserving, rural uneducated or unskilled and especially in adjacent areas of the Sundarbans. Rather, in the case of educated, uninhabited, it is just the opposite. For example,

Road / standard running - oil, bell, salary, pain and etc.

In the style of Rangali- Balance, Ballet, Baton, Bedona, Abong etc.

Both are preserved in the satyakshira dialect. However, the style of Manchalite is generally used in the educated, elite and urban areas. On the other hand, the uneducated and rural pronunciation is used in the opposite of the opposite. Pomegranate oil is> Tulle. Ballet> Bay-La etc. are also. That is, the Bengali effect is not completely free.

 

4. Bangla Anjal, Mymensingh, Comilla, Noakhali and other areas were transformed into phonics. But this style of Satkhira is not present everywhere. In the upazila, this tradition is prevailing in the upazila of the district, Satishkha sadar, Kalaroa, Tala and Ednashasuni (adjacent to Khulna district) but there is no other place. For example,

Radhi or Manchalit - theirs, you, you, hello etc.

This style is common among Shyamnagar, Debhata and Assasuni upazilas and educated people, near Kaliganj of Satkhira district. However, the above mentioned upazila includes wigs, tigers, tumers, wheels. In the first two of those four words, the U + E (half) means that> u and the last two have been used. In most cases, this type of pronunciation is noticed, but in the twenty-fourth Parganas (P. Bangla, India), it is used as a standardized method by the influence of Radhi in adjacent upazila. In the East and North East, there is a tendency for the use of sound waves. It is to be noted that the first two words are used in the areas that are preserved in the areas of Oraga / Oga, Torga / Togaa and those used by Radhi. It means that the first and the tukui are kept. But the subsequent sounds (plural) of the Bangali genre have been contradictory. For example,

(Gravity)> rage (reversal)> ragna> (a> ii) ga (eruption of the middle sound), ie, the turga / toga.

 

5. Phonetic Phonics In the pronunciation of Mahaprabhara Varna, there is a little relief in Bangali.

Fear-> Boy, Gate> Gat, Cuff> Cop etc.

However, Radhai or standard is used in the continuity of the Teestaar. However, the tale of Bangali style was noticed in many pronounced tala upazila adjacent to Khulna district.

 

6. In Bangla dialect, the voice of the most promising person There is no utterance in the verse. In that case, only the word "Junk" is pronounced. In the subdharbha of Satkhira, these two are properly spoken like Radhi. There is a tendency to be prone to the sounds of Bangali style separately in the area of ​​the Khulna area of ​​Tala upazila. For example, the groom (big).

7. The main characteristic of the Bangali dialect is the epicenter, and the main characteristic of the Radhi is the accent and the harmony. For example,